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uguisu) clings to the branches of shidare-ume (plum blossom trees with drooping limbs)
dried fish suspended by its tail
He has his sleeves rolled back and a large sea bream under his arm
He then ventures to suggest a few strands of water using heavily diluted ink
Aber Baiitsu hatte das Glück
Weißer Reiher auf Beutefang | Nishiyama Kan'ei 西山完瑛 | 1833-1897 Bambus uguisu) clings to the branchesThis painting, mounted on very fine fabrics (brocade featuring ancient water symbols), plays upon the classical art of omission the white heron is not painted white, but appears white solely due to the delicate grey tint of the background. The birds intense focus, as it appears on the verge of catching its prey, captivates the viewer. Fleeting brushstrokes and the precise, meticulous observation of an animal lying in tense wait complement one another
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