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On the one hand
there is no signature or any indication of a date
he refrained from using his master's sometimes almost grotesque textual and graphic style of expression
a sadness that can be read in his sensitively portrayed eyes
which also determined the remounting: a noble pine-needle green with a fine brocade frame is intended to frame the painting with tranquility and elegance
Paneel: Zwei Landschaften (ehemals Diptychon) | Kanō Yōsen‘in 狩野養川院 | 1753-1808 Blumen On the one handYsen'in was the sixth head of the Kobikich studio of the Kan school in Tokyo and was in the direct service of the then shogun (as a so called oku eshi). He received several high ranks that testify to his official esteem. A professional painter of that time had to master various styles; a personal style was not in demand, especially in the Kan school. In this diptych, Ysein'in provides evidence of his mastery of Chinese ink painting, as it had been
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