Not Not Nothing - Mette Edvardsen Japan which undoubtedly became an icon

which undoubtedly became an icon of 20th century painting

Les Presses Du Reel

but never less than masterful in its realisation

Edited and introduced by Mohsen Mostafavi

Villiger’s autofictions––whether sculpture or image

Not Not Nothing - Mette Edvardsen Japan which undoubtedly became an iconThis publication brings together the texts from the pieces Black (2011), No Title (2014), We to be (2015) and oslo (2017) created and performed by Mette Edvardsen. These pieces have been developed using language as material, looking into the relationship between writing and speaking, between language and voice. Mette Edvardsen is working on the verge of the visible, considering choreography as writing. Mette Edvardsen is a choreographer and performer