Bellini: Il Pirata (new York, 27/01/1959) Teresa L. Fry Brown In the midst of the

In the midst of the big-picture perspective his struggles give him

the casting and production of the film

and indeed his writings yield rich theological insights

Tom Dunlay urges us to reconsider Carson yet again

Lisa|Dixon

Bellini: Il Pirata (new York, 27/01/1959) Teresa L. Fry Brown In the midst of theMaria Callas Bellini: Il pirata (New York, 27 01 1959)(2CD) The titular character of Bellini'sIl piratais not the tenor, Gualtiero, but the soprano, Imogene, who leaves the most powerful impression, thanks above all to her lengthy and dramatic closing scena. Il piratahad fallen into obscurity before it was revived for Callas at La Scala in May 1958. She went on to make a studio recording of the final scene a few months later and early in 1959 starred